Connection / Two Boxes & Poplars, 2018 installation of posts, wood, graphite, black paint, rope, needle, tulip poplar saplings, acorns, grass, thread, ginko leaves, flags. Installation variable.
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Installation View, Neck of the Woods: Marrow , Elon University, 2018 with 2 floor drawings (foreground): 8 x 10’: Solitary, grey & red gaffers tape & UNHCR Refugee Tent: Family of 5, white gaffers tape
floor: UNHCR Refugee Tent: Family of 5,  white gaffers tape, 2018. wall l to r: Recording 2 , 2014, ink, graphite on paper, 52 x 53”, 2014 & (DE/IN/RE)CLINE, RESIDUE OF TOUCH, set of 14 graphite works on paper, 17 x 11”, 2018.
Installation view: Disassembled & Repackaged Gun in Hutch , from solo exhibit, What Lies Beneath at China Hutch, Chestertown, MD, 2017
Detail: Disassembled & Repackaged Gun in Hutch , 2017, gun parts, plastic, bracelet
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Installation from What Lies Beneath , China Hutch, 2017
Installation view: Tremor in Shadow , Project 1628, Baltimore, MD, 2016
Installation view: Tremor in Shadow , Project 1628, Baltimore, MD, 2016
Installation: Tremor in Shadow , Project 1628, Baltimore, MD, 2016 wall l to r: Considering Deep Time, 2016, Ginko sap, Hopi Tapaut, map of time walk in Baltimore County, Ginko chloroform, graphite, paper, 24 x 19”. Surveying Tulip Poplar leav
Territory: A Topographic Map, 2016, dimensions & materials variable. from Tremor in Shadow , Project 1628, Baltimore, MD, 2016. Natural materials for this work, included grass, snake skins, bark, saplings, paper, thread, paint, flags, poly
Middle Eastern Refugee Map, 2015, printed paper, 125 @ 19 x 25” and Floor Drawing: UN Refugee Tent , 2015, grass/thread, 13 x 13.5’ from Borders & Migration: Shifting Geographie s , Rodgers Gallery, Berea College, 2015
Detail of pages with 1/6” grid. Each square represents one person, adding the total number of migrants across the globe in 2015. Some of the squares cut out to emphasize the individual scale of each. Borders & Migration: Shifting Geographies ,
Installation Borders & Migration: Shifting Geographie s , Rodgers Gallery, Berea College, 2015
Interval , Bruck Pollock and Renee van der Stelt, GrizzlyGrizzly, Philadelphia, 2014
Installation view of Score/Fold , from Paper Shapers , Goucher College, 2012
Mapping , Hemphill Fine Art, Washington DC, 2011
Installation view, Hamiltonian Gallery: Recordings Series (from l to r) Wind blowing ginko leaves , 2010, ink on paper, 24 x 18" Wind blowing tulip poplar leaves: 10/07/2010 , ink on paper, 24 x 18" Wind blowing white pine needles: 10/07/2010 ,
Veiled Geography: Impermanent Drawings , Colburn Gallery, Burlington, VT 2010
Interrupted Terrain , GalleryOne, Ellensburg, WA 2009
Global/Local , Roswell Museum and Art Center, Roswell, NM 2009
Global/Local , Roswell Museum and Art Center, Roswell, NM 2009
Global/Local , Roswell Museum and Art Center, Roswell, NM 2009
Global/Local , Roswell Museum and Art Center, Roswell, NM 2009
You are Here , Ellipse Art Center, Arlington, VA 2007
You are Here , Ellipse Art Center, Arlington, VA 2007
Obsessive Aesthetics , Maryland Art Place, MD 2007
Installation view: glass plate ink drawings & Moon Map, School 33, 2005 The cliché verre drawings seen at right, and in the next two images were created through scanning and enlarging cropped sections of 4 x 5" ink drawings dried onto dusty g
Installation view: printed glass plate ink drawings, School 33, 2005
Installation view,  Observation Deck , 2005, Baltimore Museum of Art
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Pin Drawings , SPARE ROOM, Baltimore, MD 2004
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